Langston Hughes: A few Harlem stops on his birthday

Dapper gentlemen: At a 1924 celebration in Langston's honor, at the home of Regina Andrews on 580 St. Nicholas Avenue. The author is to the far left, followed by future sociologists Charles S. Johnson and E. Franklin Frazier; novelist and future doctor Rudolph Fisher; and Hubert T. Delany, who would become a New York justice in 1942, appointed by Fiorello LaGuardia.

Since I was a teenager, I've had an affinity for writer Langston Hughes, the revolutionary jazz poet who was born 110 years ago today in 1902. I grew up about an hour away from Langston's birthplace in Joplin, Mo. One of the brightest lights of the Harlem Renaissance grew up here?, I frequently pondered in English class.  In fact, Hughes is considered Joplin's most famous son.*

But you don't need to follow Langston's footprints back to the Ozarks. Celebrate his birthday with a mini-walking tour, four Manhattan addresses that were pivotal to Hughes' development as an iconic African-American voice and a star of the Harlem literary scene:

181 W. 135th Street (corrected, see note) -- Langston's first exposure to Harlem's creative energy was as a Columbia University student in 1921, wandering the street, hoping to see "Duke Ellington on the corner of 135th Street, or Bessie Smith passing by, or Bojangles Bill Robinson in front of the Lincoln Theatre, or maybe Paul Robeson or Bert Williams walking down the avenue." [source] Before moving into Columbia's Hartley Hall, however, Langston took a room here at the YMCA, known for its live drama productions and art shows. He didn't need to stroll around to find Robeson; he got his start acting in productions at the YMCA.

NOTE: Thanks to Stephen Robinson for the following correction to the information above: "I'm afraid you've got the wrong address for the YMCA at which Langston Hughes would have stayed. From 1919-1933, the YMCA was located across the street from the current building, at 181 West 135th Street. You can see the footprint of this building on the 1930 map we use on our site Digital Harlem: Everyday Life, 1915-1930 , and find more information about it by doing a search for Places, location type=YMCA."

634 St. Nicholas Avenue -- Although Langston would rent out a studio in 1938 down the street at 66 St. Nicholas Avenue, he frequently stayed at this address in the Sugar Hill area of Harlem, the home of his friends Toy and Emerson Harper. (He referred to them as 'aunt' and 'uncle'.) Hughes later moved with the couple to another address...

20 East 127th Street -- For 20 years, Hughes worked out of the top floor, by now an international phenomenon. He was residing here (his own 'ivory tower') when he died in 1967. The house was up for sale for most of the year, but was finally sold in December in a Sotheby's auction.

 515 Malcolm X Boulevard (at W. 135th Street) -- The Schomburg Center for Research in Black Culture, a branch of the New York Public Library, is Hughes' final resting place. His ashes are contained underneath the foyer floor, beneath an inscription: "My soul has grown deep like the rivers." But the library always had a long association with Hughes. His 'poetry-play' 'Don't You Want To Be Free' played to sold-out crowds in the basement of the library in 1938. The play co-starred Robert Earl Jones, the father of James Earl Jones.

You can find a far more in-depth walking tour of 1920s Harlem here.

 *Another African-American cultural icon, George Washington Carver, was born in the town of Diamond, Mo., fifteen minutes southeast of Joplin. If you're ever swinging through that area of the world, the George Washington Carver National Monument, where his home was located, is worth a stop.

As Garfield fights for life, Arthur lays low in Murray Hill

There are several enemies in Candice Millard's 'Destiny of the Republic', the terrific narrative history of the assassination of President James Garfield during the summer of 1881. The most obvious foe is the delusional Charles Guiteau, who believed himself the nation's savior when he shot President Garfield twice at a Washington DC train station on July 2, 1881. Then there were the microbial infections transmitted during improperly sanitized operations performed by Garfield's doctor at the White House, causing blood poisoning that worsened the president's suffering and ultimately killed him.

For the purposes on this blog, however, I was drawn into the tales of two New York politicians who became victims of rumor-mongering that summer. Powerful New York senator Roscoe Conkling was seen as a political rival of Garfield's, a thorn in the president's side, especially considering Conkling's own political protege -- his pawn, really -- was Garfield's vice president, Chester A. Arthur. Traumatic crises in this country are frequently accompanied by a churning undercurrent of suspicion and conspiracy, and Conkling and Arthur became victims of just such a shadowy accusation that summer.

Many believed Conkling to be culpable of the assassination attempt himself -- perhaps not of pulling the trigger, but of fostering and encouraging the discord that inspired it. It's not a stretch to consider Conkling an embodiment of the spoils system which determined hundreds of government jobs through political affiliation. Guiteau thought himself unfairly left out of that patronage system when he attacked Garfield that hot July day.

A few weeks ago I wrote about the Fifth Avenue Hotel, the luxury accommodation at 23rd Street off Madison Square that became Conkling's second home and a regular scene of political intrigue for the Republican Party. Conkling endured the disintegration of his political career from his rooms here.

Meanwhile, many were mortified at the very thought of Arthur, hardly a universally admired figure, ascending to the presidency. While the president lay incapacitated in Washington, there was even debate as to when presidential responsibilities should cede to the vice president. Nobody seemed enthusiastic at the prospect of a President Chester A. Arthur.

Thus, Arthur essentially spent his summer hiding out in his townhouse at 123 Lexington Avenue (at right), fearful of seeming overly ambitious even as the fate of President Garfield seemed uncertain. On the day the president finally succumbed to his injuries, Arthur sobbed uncontrollably from his shuttered home as servants shooed away the press. Several hours later, he was sworn in as the 21st President of the United States on September 20, at 2:15 a.m, from the green-shuttered parlor of his home here.

'Destiny of the Republic' is a swift, thrilling read, certainly worthy of the praise it received when it was released last year, bringing in a cast of icons (including Alexander Graham Bell and Joseph Lister) to present a frightening world of medical uncertainty and strange madness.

History in the Making: Jackson Paint Splattering Edition

Tomorrow is Jackson Pollock's 100th birthday. A trip to MOMA is in order! Also check out this gorgeous collection of 'behind the scenes' photos. (Photo by Loomis Dean, Life)

I'm just getting back from a trip so the blog's been a little thin of articles this week. But we're back to normal here next week,  plus we are putting together a new podcast, discussing a major New York City landmark.  In the meantime....

Far Out, Man: The joy of writing about topics from the 60s and 70s is that people sometimes stumble onto old blog posts and recount their experiences in the comments section. For instance, you should really check out some of the comments on my December 2009 posting on the psychedelic New York nightclub Cerebrum. Thanks to the former patrons of the strange, strange little club who chimed in with their experiences! [Welcome To Cerebrum: Do You Have A Reservation?]

Setting Sail: The South Street Seaport Museum is open once again for business, thanks to the Museum of the City of New York. The uptown museum brings with it a few retooled former exhibitions from its galleries, as well as a photographic take on the Occupy Wall Street movement.  [South Street Seaport Museum]

Backstage Deli: The closing of an East Village deli reveals a startling secret -- a former movie theater from the 1950s. Thanks to Sierra for sending us the link via Facebook [Gothamist].

How The Other Half Reads: Jacob Riis enters the 21st century! His book 'How The Other Half Lives' comes to Kindle, iPad and other reading devices courtesy a new edition featuring extensive commentary and notes by author Lorenzo Dominguez.  [Download it here]

Illuminating: Today in 1880, Thomas Edison received a patent for the incandescent lamp. Fans of our Electric New York podcast will want to commemorate by turning on all their lights today. [via Twitter, Milstein Room @ NYPL}

And finally....

The King: Today marks a big day in Bowery Boys land. Our podcast on Robert Moses (Episode #100) officially becomes our most downloaded show of all time, supplanting our Halloween show Haunted Tales of New York (Episode #91).

Here's a little Moses for your wet Friday: The parks commissioner appeared as a guest on the February 1953 episode of the panel program Longines Chronoscope:

The Bowery Boys -- now on Australian radio!

At the New York World's Fair 1939-40: Australia makes a stylish, woolen debut, thanks to renown designer Douglas Annand. (Photo by Robert Coates, courtesy the Powerhouse Museum. You can check out other images of this curious pavilion here.)

 After many years as a mere podcast, The Bowery Boys: New York City History will be making making its debut on the national airwaves. The catch is -- those national airwaves are in Australia!

We're grateful to have listeners all around the world, and now those New York junkies listening in Australia will now be able to hear our show on a new program on Australian Broadcasting Corporation's Radio National, Australia's pubic radio.

Top of the Pods spotlights a selection of programs from around the world, and we'll be joining the show monthly via some of the greatest-hits of our back catalog of podcasts.

We debut in Australia this Tuesday, Jan. 31, at 2 pm (or, if you're listening in from New York: Jan. 30, Monday 10pm EST), when host Robbie Buck will present our show on Tin Pan Alley. We'll be paired up with a program from London, The Hackney Podcast, exploring the historic neighborhood through its transition as a 'host borough' of the 2012 Olympic Games.

If you're in Australia, you can listen in this Tuesday via one of these major frequencies, including 576AM in Sydney and 621AM in Melbourne.

You can listen online via one of these streams. The show will also be re-broadcast in Australia on Sunday, Feb 5 at 3 a.m. (Saturday, Feb. 4, at 11 a.m. in New York)

We're currently scheduled to appear once a month. Thanks to ABC for helping us make our international debut. I will clearly need to make vacation plans to hear the show live from the beaches of Sydney sometime very soon!

And a little bit on the picture above: You can look here to read an article from the Sydney Morning Tribute about the debut of the Australian Pavilion at the 1939-40 World's Fair, "not only the most interesting and informative exhibition that Australia has presented in any country, but one of the most attractive at the Fair." In fact, according to Architecture Australia, "the pavilion was consigned to an interior within a building, which was shared with New Zealand.....From outside it appeared as if Britain occupied the entire complex, with Australia and New Zealand literally subjects beneath and to either side."

Sugar high: Yonkers boys, up to no good

A band of junior ruffians, gathered around the detritus of a sugar plant in Yonkers, on the Hudson River, c. 1906. I can't quite make out what they're doing, and I possibly don't wanna know. This is very possibly an old plant located in same area as the present corporate headquarters of American Sugar Refining, just a couple miles north of the Bronx border.

American Sugar owns the Domino Sugar brand name today. Domino, of course, grew to sweet prominence in the late 19th century along the Williamsburg waterfront.

Photo by Lewis Wicks Hine

'Mad Men' returns: a guide to eating (and drinking) options

Drama for dinner: 'Mad Men' meals go down best with fifteen cocktails

AMC's 'Mad Men' returns for its fifth season this March. Until somebody goes ahead and develops a TV show about Peter Stuyvesant and New Amsterdam, the award-winning Madison Avenue drama is the closest we'll get to straight-up New York City history TV. The writers cleverly embed the action within very specific 60s locations throughout the city. During the season I try and delve into those locations in our regular 'Mad Men' feature. 


So what, then, to make of 'The Unofficial Mad Men Cookbook: Inside The Kitchens, Bars and Restaurants of Mad Men', by Judy Gelman and Peter Zheutlin? My first thought, naturally, was, "They eat on 'Mad Men'?" They certainly flirt over dinners at times. Carla, the Draper's housekeeper, tortures over hot meals that often get uneaten as Betty sulks and Don swallows down bourbon.

But 'Mad Men' is a show of lounges and restaurants, of decorum and indulgence, adrift in a rising stream of booze. It's also a show of dizzying, if cynical, nostalgia. And that's the secret of this fun little volume. The particular dishes featured in the book may have been seen or mentioned on the show. But the recipes themselves are straight from the kitchens of New York's most famous eateries and from original 1960s magazines and cookbooks.

The authors frame each dish within the context of a certain episode. For instance, a recipe on gazpacho and rumaki is prefaced with the description of Season 2, Episode 8, the episode where Betty presents dishes from around the world to her guests (including, you may remember, the at-the-time somewhat exotic Heineken beer.)

The recipes aren't from Betty's kitchen, but from actual 1960s magazine articles. Sources include 'The Kennedy Style', a 1962 Ebony Magazine cookbook, the 1960's 'How America Eats', among a great many others. Original dishes from New York's great restaurants make an appearance here too -- steak tartar and hearts of palm salad from Sardi's, fettuccine alfredo from Angelo's, chicken Kiev from the Russian Tea Room, Caesar salad from Keens Steakhouse, and of course, the original Waldorf salad and sold Amandine from the Waldorf=Astoria.

Betty Crocker, Julia Child, Amy Vanderbilt -- all the icons of 60s cuisine and ettiquete are represented. Naturally, this means that few dishes are heart healthy. Butter and red meat are a defining theme.

A more classic selection of original New York recipes has perhaps never been assembled. One might squabble over the fact that most of this has nothing much to do with 'Mad Men' itself. But let that slide, relax and have a drink from the guide's cocktail menu, featuring the how-tos on such classic sips as the Stork Club Cocktail, the 21 Club Bloody Mary and the Classic Algonquin Cocktail (whiskey, vermouth and pineapple juice), all sourced from the original establishments.

I was a sucker for this kind of retro mixology back in the days of the '90s retro 'bachelor pad' craze, and 'The Unofficial Mad Men Cookbook' could fit right in with your old Esquivel CDs. But this is an entertaining collection of New York recipes, well-researched, and ready for your weekend soirees and viewing parties..

A century ago, excitement builds as the Woolworth ascends

The Woolworth Building, as it appeared on January 20, 1912 (Courtesy LOC)

The Woolworth Building was the biggest story in real estate one hundred years ago, long before it was even completed.

By the waning moments of 1911, something finally began to rise out of the belching smoke and clutter collecting at the northwest corner of Broadway and Barclay Street . The building's architect Cass Gilbert was busy at work drafting the details of the interior, and as the tower rose, so too did the cost. Luckily, retail king Frank W. Woolworth would eventually pay the entire bill ($13.5 million, from an original project cost of $5 million) in cash.

In a Jan 7, 1912 article, the New York Times assessed the state of real estate in the city, observing that the greatest developments for the year were in 'apartment houses and lofts', particularly on the Upper West Side and the neighborhoods west of Broadway between 14th Street and 42nd Street. While residential property was the hot commodity, they made note of seven 'purely office structures' that were also debuting. Of those listed, the clear standout was the new office building being designed for Woolworth.

The New York Sun was also dazzled by the Woolworth's construction that month, announcing its construction as the crown of the 'world's greatest building construction era'. Any firm hired for the project promptly touted its involvement in full-page advertisements. Otis Elevators boasted of its 'Marvelous Vertical Railways ... That Are to "Whiz" the Army of Workers Up With Lightning Speed.'

It would take over fifteen months from that moment for the Woolworth Building to be completed, and what a game-changer it was when it officially opened on April 24, 1913. The tallest building in the world until 1930, the Woolworth is also distinctive to this day for its monolithic surface of terra cotta, built before the requirements of setbacks turned future skyscrapers into virtual 'wedding cakes'.

But back in January 1912, as you can see, it rose on a few floors from street-level, not even as high as the City Hall Post Office which sat across the street. The picture below (from NYPL), taken over a month later, indicates its proximity to the post office:

(As for the picture at top, the Library of Congress dates it as January 20, 1912, while the New York Public Library has it as December 28, 1911. You get the idea. Regardless, it's a photo by favorite photographer Irving Underhill.)

Notes from the podcast (#133): Red Hook, Brooklyn

A haunting snapshot of the Atlantic Docks, circa 1870-80s (possibly as early as 1872) photo by George Bradford Brainerd (courtesy the Brooklyn Museum) 

Quite a few notes on the podcast this week! There were a lot of little details I found interesting that didn't make the cut:


Before the Water Taxi: One of the more enlightening tales left on the cutting-room floor was that of the Hamilton Avenue Ferry, the 1846 Atlantic Docks ferry line that linked Red Hook with downtown Manhattan in much the same way the IKEA Water Taxi does today. As the ferry made "the shortest and most direct route from New York" to the newly constructed Green-Wood Cemetery, it also became the method by which many bodies were transported there.

Fiery renovation: A stalwart of the old community is Visitation of the Blessed Virgin Mary Roman Catholic Church (built in 1896) right off of Coffey Park, the third incarnation after the congregation grew out of the first building (originally built in 1855) and fire destroyed the second. That fire, incidentally, was allegedly caused by combustible materials workers were using to renovate the structure.

Goodbye Vienna: A vestige of World War I hysteria exists within the name of Red Hook's Lorraine Street. According to Brooklyn By Name, the street was once named Vienna Street but was deemed 'offensive' during the war and was changed to reflect the area of Alsace-Lorraine, which entered French possession after the war.

What's My Name?: I mentioned a couple facts about the neighborhood of Carroll Gardens (once considered a part of Red Hook), although we hope to elaborate further one day on a show on South Brooklyn. The name Carroll Gardens, like that of its neighbors Cobble Hill and Boerum Hill, was a real-estate invention which the community quickly embraced. (Contrast this with modern failures of real-estate re-branding, like Chumbo, BelDel and LoDel.) You might be interested in reading Carroll Garden's original 1973 historic designation.

Below: I'm not quite sure of the story behind this sunken squatters home, taken on Van Brunt Street from the year 1900 (courtesy the Brooklyn Museum) 




Further reading: For more information on the corruption of the  New York and Brooklyn waterfronts , I highly endorse Nathan Ward's 'Dark Harbor'. It's brilliantly lucid and immediate. In particular, he focuses some attention on the disappearance of Columbia Street longshoreman Pietro Panto and vividly describes a mob hit that took place in a building in Manhattan's West Village, in a building next door to the treasured piano bar Marie's Crisis. There are several books that feature chapters on Red Hook history, but a dedicated book on the subject is sorely needed. In the meantime, I recommend the short essay by Jerry Nachman that appears in "Brooklyn: A State of Mind," about, of all things, an air conditioning crisis!

Maggie Blanck has an extraordinary web resource that begins as a genealogy of her family and elaborates into a history of Red Hook's industrial giants. And for those of you who are fascinated by late-century street-gang history, the website Stone Greasers has an exhaustive list of gang names, many more unusual than anything you'd find in the movie The Warriors.

Red Hook as inspiration: Several sources, both on Brooklyn history and film history, discuss Red Hook's impact on the work of both Arthur Miller and Budd Schulberg, the screenwriter of 'On The Waterfront'.

 In 2009, a unique restaging of 'On The Waterfront' took place aboard the Waterfront Barge Museum in Red Hook, a production that then floated to Manhattan and Hoboken waterfronts for further performances, "all places whose dock wars echoed in Terry [Malloy's] story," according to Ward.

Elia Kazan's Oscar-winning film is embedded with influences from the entire New York waterfront struggle. For instance, Karl Malden's Father Barry is transparently inspired by Father Corridan, an activist waterfront priest from Manhattan's west side. (Author J.T. Fisher focuses on Corridan's contribution in his new book 'On The Irish Waterfront'.) Of course no inspiration was greater than Malcolm Johnson's now classic series of articles for the New York Sun in the late 1940s, a series which won the Pulitzer Prize in 1949 -- coincidentally the same year that Miller won for 'Death of A Salesman'!

I suppose there is some controversy in some circles regarding whether Schulberg and Kazan 'stole' the idea of 'Waterfront' from Miller's 'The Hook', but I'm not touching that. However you can read about it yourself in Stephen Schwartz's argumentative 2005 article.

Thanks to commenter Rob Hill who calls to attention another fascinating literary Red Hook reference. In 1957, Harlon Ellison, one of America's great science fiction and crime novelists, literally went undercover with a Red Hook street gang called The Barons to find inspiration for his book 'Web of the City' and, later, in the non-fictional account Memos From Purgatory. Ellison's entire life would probably make a good subject for a podcast one day. Thanks Rob!

Further listening: This show shares many similar themes with our past shows on Williamsburg, Brooklyn and Corlears Hook and the Pirates of the East River. Hmm, and let's just say, we're probably coming back to the waterfront sooner than later this year....

Community vs Neighborhood: One listener Carolina from PortSide NY had some strong objections to my characterization of Red Hook, particularly my focus on the neighborhood's crime and gang activity. I'm excerpting part of her letter, as it highlights a challenge that Tom and I often tackle with our podcast:

"Red Hook housed great poverty, but for decades was more mixed economically than your focus on gangland stories describes. Personally, I find what is most distinctive about Red Hook over the years is the capacity of this small place to hold AT THE SAME TIME a striking economic range in its residents and a striking range of land use from major industry to residences."

That is an undoubtedly true statement, especially when you compare it to the fate of other dockside neighborhoods, like Corlears Hook and Water Street in Manhattan. I find there are two ways to accurately tell a story of a place like Red Hook -- from an organic, street-level or 'ground up' perspective (what I call 'a community history') and from a macro-view, as a component of the larger forces of the city which contain it (or 'a neighborhood history').

As the creators of a New York City history podcast, we opt to recount neighborhood histories, as New Yorkers and those who love this city are familiar with the mechanisms of change that have influenced it. In this decision, we understand that the normalcy of a place can get sometimes overlooked. (After all, not every person in Five Points was a gang member or a prostitute either.)

However, the sad truth is, Red Hook was for many years nationally known as a blighted neighborhood, and it was important to inspect both how it got that way and how that condition demanded some very unique revitalization plans.  I hope I have shown how essential Red Hook was to New York, and continues to be.  We encourage you to wander around the waterfront on a sunny afternoon sometime and, in particular, check out places like the Waterfront Barge Museum.

Red Hook, Brooklyn: A rich seafaring history, organized crime and the isolation of a beleaguered neighborhood

PODCAST Red Hook, Brooklyn, the neighborhood called by the Dutch 'Roode Hoek' for its red soil, became a key port during the 19th century, a stopping point for vessels carry a vast array of raw goods from the interior of the United States along the Erie Canal. In particular, two manmade harbors were among the greatest developments in Brooklyn history, stepping in when Manhattan's own decaying wharves became too overcrowded.

With these basins came a mix of ethnicities to Brooklyn, and along with new styles of row houses came the usual assortment of vices -- saloons and brothels along Hamilton Avenue. This fostered the development of crime along the docks, and Red Hook soon witnessed firsthand the opening salvos of 20th Century organized crime.

How did the history-rich, nautical neighborhood go from a booming center of employment to one of the worst neighborhoods in the United States by the 1990s? And can some surprising twists of fate from the last twenty years help Red Hook return to its glory days?

Featuring: Revolutionary War forts, shantytowns, Vaseline factories, famous gangsters, the gateway to Hell, and cheap Swedish furniture!

You can tune into it below, download it for FREE from iTunes or other podcasting services, or get it straight from our satellite site.

Or listen to it here:
The Bowery Boys: Red Hook: Brooklyn on the Waterfront

Notes, clarifications, sources, and additional information will be posted next week. Photo above: Taken on Van Brunt street, 1/11/2012

 The Atlantic Docks, illustration taken from Booth's History of New York. (care of NYPL)

Modern living, circa 1939. The Red Hook Houses at their debut. Although the housing development cleared away a great many dilapidated homes -- following a common model of urban redevelopment -- the uninspired uniformity would put a dent in the neighborhood's original character. (Courtesy LOC)

The Red Hook Play Center opened in 1936, the final of 11 swimming pools Robert Moses built during his early years as parks commissioner. Its Art Moderne style made it a beautiful if curious addition to the neighborhood.

The Erie Basin, a clutter of vessels and piers, is strangely beautiful from overhead in relation to the Manhattan skyline. (Pic courtesy Wired NY)

The crisis of organized crime and corruption within the longshoreman's union along the Brooklyn waterfront was an inspiration for many writers, including Arthur Miller (below) in his unproduced screenplay 'The Hook' -- referring both to the neighborhood and the longshoreman's "ever-present baling hook". Later, Elia Kazan and screenwriter Budd Schulberg found similar inspiration for the Oscar winning film 'On The Waterfront', loosely basing events on situations that took place along the entire New York and Brooklyn waterfront. (The film was made in Hoboken, but there are of course famous shots of the Manhattan skyline.)

Aaron Burr, Staten Island, and the tale of his death mask

Yes, Hamilton fans, we are a proud people, judging from the many notes and supportive comments yesterday left on the Facebook page on the birthday of Alexander Hamilton, tinged with strong anti-Aaron Burr sentiment. But, from our comfortable vantage of the future, have we been too harsh on the killer Vice President?

Sure, he absolutely got away with murder. But it was, after all, a duel, willingly engaged by both participants, however misguided. Murder charges against Burr were eventually dropped, but he obviously avoided New York for many years.

His later misadventures out West -- his failed, confusing efforts to infiltrate Spanish territory and allegedly form a new government in 1806 -- just slathered on further scorn and distrust for the once respected lawyer. Three years after killing Alexander Hamilton, Burr was brought to federal trial for treason. He was eventually acquitted due to lack of credible evidence, much to Thomas Jefferson's chagrin.

After traveling through Europe and eventually going broke, Burr returned to New York and married the alleged 'black widow' Eliza Jumel. They divorced just four months later. The Morris-Jumel Mansion, his home during that time, is today less than two miles away from Alexander's prized Hamilton Grange. They are two of the oldest homes still standing in northern Manhattan. (The Dyckman Farmhouse , in Inwood on 204th Street, is older than Hamilton's house.)

Aaron Burr died in 1836 in Staten Island at a boardinghouse in the Port Richmond neighborhood, not far from the Bayonne Bridge.  The boardinghouse later became the St. James Hotel, where guests could specifically ask to stay in Burr's room for an evening. And sleep in the same bed! A sign even hung over the mantel, "Aaron Burr died in this room."

The former Vice President spent his last, lonely days in this particular room, shying away from curious locals and pouring over old love letters from Eliza. According to a 1895 New York Times article on the subject of his 'deathbed', Burr was hounded by pious ministers who wished to save his soul and release him from his crippling depression.

The article also highlights a very bizarre visitor. One guest at the boardinghouse had an unnatural fascination with Burr, but never spoke to him and kept quietly to himself. When the landlady discovered that Burr was died in his room, the stranger suddenly appeared at the door, opened his satchel and removed the materials to make a plaster death mask of the Vice President. I believe this may be the morbid mask in question!